. "Haro! Haro! Haro! Addition to the censors.
I hardly considers the bourgeois moralizing or censor his logic rabies bulging fueled resentment, moral indigestible saddle of stomach, intestine legal scholarship and panties, moral inelegant, anti-gallant, moral and vicious venom composed. Slave morality cooked, gamy poulardée old virgin Virginia, legal advisers barefoot in odor of sanctity. Morality "Baelsamique" and morose, moral enraged cockroach macerated fetal brain fish, moral indiscretion, spy, talkative, secretive, aiguicheuse, tease, arouse bad feelings. Exciting offensive. Morality without quarter emblazoned reds of dowagers vexed. Moral outdated red skirt, an inquisitor-roaster dragging a leash devil pretty good spanking or pulling gentimment a poor struggling. Moral of médicastrée vivisector marrow marmoset, moral misfits surveyors ogled the view unsuspected moral architect cubiforme to loose reds, the evil behind crumbling concrete. Pug moral blurring cakes pink flower, moral lunettée convex or concave microscopes lunatics, moral immoral.
Haro! Haro! ! Artists, friends and pure and lofty react harshly and condemn the example of Christ and ruthlessly and pictorial, musical and literary critic of the bourgeois-verbalizing. Think of the poor
Eeckhoud, the general Lemonnier horribly dragged on the hurdle of infamy. Think of the pages alive and powerful scratched by the index of erectile gabelloux farfouilleurs. Consider Hugo, Flaubert, Zola, Verlaine, Baudelaire, still Bizet, Wagner, cruelly mocked. And for the love, honor and kindness.
Haro! Haro! ! Top
clawed hands, eager to stone, blind predator lapideurs and ladles, sniffer incorrigible. Art is pure. Down with your feet and accuse more, sin no more bourgeois gentlemen too censors matamoresques fills your final call sleepsuit puncture.
Haro! Haro! Haro! "
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James Ensor, the censors Sus, 1935 (text from Lady painting forever young , 2009, pp. 223-224). The line (1892) is preserved at the Royal Museums of Fine Arts in Brussels.
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